Robert Elswit is one busy cinemato-grapher. He served as d.p. on two 2014 releases — “Inherent Vice” and “Nightcrawler” — and is currently at work on “Mission: Impossible 5” in the U.K. Elswit shot ...
If things had gone as planned, the ending of "Mission Impossible - Ghost Protocol" would have changed Tom Cruise's ...
Add Yahoo as a preferred source to see more of our stories on Google. “God, I don’t know what it is anymore,” Elswit said last year about the state of his collaboration with Anderson. “It’s like a bad ...
Elswit shot the night scenes digitally, since the technology allows one to get clear images with minimal lighting setups. Compared with the daytime scenes, which Elswit shot on 35-millimeter film, the ...
In award contenders “Nightcrawler” and “Inherent Vice,” cinematographer Robert Elswit redefines L.A. as millennial noir and ’70s counter-culture haven for first-time director Dan Gilroy and frequent ...
Robert Elswit took the top honor for his work on "There Will Be Blood" in the feature film competition at the 22nd annual American Society of Cinematographers Outstanding Achievement Awards. By ...
Gilroy spoke with The Playlist about what cinematographer Robert Elswit (“There Will Be Blood,” “Boogie Nights”) brought to the film, the economic realities behind the Lou Bloom character, Jake ...
Robert Elswit was honored for his work on "There Will Be Blood" in the feature film competition of the 22nd Annual American Society of Cinematographers Outstanding Achievement Awards on Saturday. By ...
That all changed when Christopher McQuarrie came in to perform rewrites during filming. From veterans to newcomers, there's plenty of great things going on in the world of cinematography at the moment ...
Marielle Heller, a New York-based screenwriter, actor and playwright, is attending the June Sundance Directors Lab with her project, The Diary of a Teenage Girl. “In the haze of 1970’s San Francisco, ...
Honoring past traditions while questioning established practice is perhaps life’s, let alone filmmaking’s, trickiest balancing act. But cinematographer Robert Elswit is living proof that it can be ...
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